- #IF I BUY A SOFTUBE PLUGIN CAN I USE IT IN UAD HOW TO#
- #IF I BUY A SOFTUBE PLUGIN CAN I USE IT IN UAD SERIES#
#IF I BUY A SOFTUBE PLUGIN CAN I USE IT IN UAD HOW TO#
It has a variety of applications in music production and can be utilized to level out vocal performances, thicken drums, improve guitar tone, make bass sound tighter, and add considerable impact to sounds.Īlongside EQ, every producer should learn how to use compression. That said, it takes some tweaking to achieve what you want, but when you hit the sweet-spot with the V-Comp, you’ll know.Compression is one of the most valuable tools in your VST plugin arsenal. If you want your vocal to pop and sit closer to the listener than other elements, the V-Comp is my go-to. The V-Comp is great for achieving an upfront sound. The De-esser makes it even more vocal-friendly. It’s not as precise and variable timing-wise as the other compressors here, but sometimes it’s just what a vocal needs. It doesn’t work on every singer, but when it does work, it’s a special sound. Modeled after a vintage Neve 2254 Unit, but updated with some more modern features, I find myself using the V-Comp for pretty particular applications. The 1176/LA2A Combo Plugin emulations of these two classic compressors ar Play Video 5. Here are the plugin compressors that I find myself using most frequently when I mix vocals. The human voice is one of the most dynamic musical instruments, and therefore presents unique challenges when recording and mixing. UAD Tube-Tech CL 1B Compressor Plug-In by Softube Trailer The eight distinct compression “styles” built into the Pro- C 2 (including one especially for vocals) really place it head-and-shoulders above the competition when it comes to versatility. If you’re interested in learning what compression actually does, the Pro-C 2 is a fantastic learning tool. While most are creating tools that faithfully mimic the sonics and controls of tried-and-true hardware units, FabFilter has always been more interested in developing state-of-the-art plugins, complete with highly scientific visual interfaces and endlessly tweakable parameters.įor surgical work, which I find myself doing often when mixing vocals, they’re indispensable tools. FabFilter Pro-C 2įabFilter has a different approach than most plugin companies. The 1176/LA2A Combo Plugin emulations of these two classic compressors ar Play Video 2.
If you’re more of a visual learner, below is a video of the technique being applied.Ĭompression Basics: 1176 into LA-2A on Vocals + CL1-B on Keyboards The resulting sound is smooth, warm and natural. The idea is that the faster or “grabbier” 1176 handles and tames the loudest peaks so that the LA2A is never pushed too hard and can focus on general, consistent compression duties. Next, insert an instance of the LA2A after the 1176, and set the Peak Reduction knob so that you’re getting a couple of dB of compression at any given moment. A medium-to-fast attack/release should do the trick, and tweak the input/ratio so you see the desired amount of Gain Reduction. Start with the 1176, and set it so that only the loudest passages of the vocal performance are being compressed.
#IF I BUY A SOFTUBE PLUGIN CAN I USE IT IN UAD SERIES#
Individually, they’re wonderful tools for mixing vocals, but when used in series (and in a specific way) they’re on a whole new level (pun intended). While I have my own preferences, most on the market are pretty great and are mostly faithful to their hardware counterparts, and at a fraction of the cost. Plugin emulations of these two classic compressors are a dime a dozen.
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